{"version":"1.0","type":"rich","provider_name":"Context XXI","provider_url":"http:\/\/contextxxi.org","title":"Absence and its Costumers\n","author_name":"John Shepley \u25aa \nSituationistische Internationale","width":"1200","height":"800","url":"https:\/\/licra.at\/absence-and-its-costumers.html","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/licra.at\/absence-and-its-costumers.html'\u003EAbsence and its Costumers\n\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003EAny creative effort that is not henceforth carried out in view of a new cultural theater of operations, of a direct creation of life’s surroundings, is in one way or another a hoax. Within the context of the exhaustion of traditional aesthetic categories, some reach the point of making themselves known simply by signing a blank, which is the perfect result of the Dadaist “readymade.” A few years ago, the American composer John Cage obliged his audience to listen to a moment of \u003Ca href=\"..\/absence-and-its-costumers.html\" class=' pts_suite'\u003E(...)\u003C\/a\u003E\u003C\/blockquote\u003E\n"}