{"version":"1.0","type":"rich","provider_name":"Context XXI","provider_url":"http:\/\/contextxxi.org","title":"Repetition and Novelty in the Constructed Situation\n","author_name":"Reuben Keehan (translation) \u25aa \nUwe Lausen","width":"1200","height":"800","url":"https:\/\/licra.at\/repetition-and-novelty-in-the.html","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/licra.at\/repetition-and-novelty-in-the.html'\u003ERepetition and Novelty in the Constructed Situation\n\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003EWhat is it that distinguishes an avant-garde from its followers? And what are the means of affecting change, wherever it may be needed? Experimentation. The experiment makes its appearance as undirected, unconscious, meaningless, spontaneous; it becomes conscious with its first repetition, when it can be described and analyzed. It should then be decided if this repetition is “worthwhile” or not. If the answer is yes, the experiment will be set into the rules of the game \u2014 experiment \u003Ca href=\"..\/repetition-and-novelty-in-the.html\" class=' pts_suite'\u003E(...)\u003C\/a\u003E\u003C\/blockquote\u003E\n"}