{"version":"1.0","type":"rich","provider_name":"Context XXI","provider_url":"http:\/\/contextxxi.org","title":"Unitary Urbanism at the End of the 1950s\n","author_name":"Paul Hammond (translation) \u25aa \nSituationistische Internationale","width":"1200","height":"800","url":"https:\/\/licra.at\/unitary-urbanism-at-the-end-of-the.html","html":"\u003Ch4 class='title'\u003E\u003Ca href='https:\/\/licra.at\/unitary-urbanism-at-the-end-of-the.html'\u003EUnitary Urbanism at the End of the 1950s\n\u003C\/a\u003E\u003C\/h4\u003E\u003Cblockquote class='spip'\u003EIn august 1956, a tract signed by the groups preparing the founding of the SI called for the boycott of a would-be “Festival of Avant-Garde Art” being held in Marseille at the time, an event that the tract called the most complete, official selection of “what in twenty years will represent the idiocy of the 1950s.” [see “Failure of the Marseille Demonstration”]\n\n\u003Cbr \/\u003EAnd, indeed, the modern art of this period turns out to have been dominated by, and almost exclusively composed of, \u003Ca href=\"..\/unitary-urbanism-at-the-end-of-the.html\" class=' pts_suite'\u003E(...)\u003C\/a\u003E\u003C\/blockquote\u003E\n"}